Redesigns of a classic, Cannery Row, and a contemporary, Up Above The World, novel. All photography is original.
Cannery Row doesn't have too much in the way of a plot, but is rather a series of intimate vignettes about the lives of people in the run-down town of Monterey, CA, a short time after the depression. The characters are all worn-out and hard workers; throughout the book things often do not go as planned, yet they always have the best of intentions. The photo of dirty hands is meant to be abstract enough to represent any of the numerous "main characters." The hand arrangement conveys a bit of contentment because none of the people are truly unhappy, but also shows the frustration they feel with their humdrum lives. The title was inspired by depression-era signage and is distressed to keep the gritty feeling. Synopsis text on the back is slanted to follow a crack in the concrete texture photo.
The concept for Up Above the World's re-design revolved around the book's them of "innocent appearances dissolving into malignant realities," as well as the fact that the plot is very fuzzy, with both the reader and characters unsure of what is going on. In the end however, the reader finds out that the main characters were heavily drugged by their newfound, seemingly respectable, friend because they were witness to his act of arson. I chose to use an ordinary book of matches as my "innocent" symbol for the front and have the back inexplicably burnt up, with no reasoning in-between. The spine hints that something is up with smoke starting to fade in, however. The burning on the back reveals a bright blue sky because although the plot was fuzzy, there were constantly beautiful descriptions of the natural world (an unnamed South American country). The synopsis text also follows a similar theme: starting off fine, but falling apart by the end.